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The Telugu version was directed by Surender Reddy, starring Ram Charan, Arvind Swamy and Rakul Preeth Singh. It’s also a perfect vehicle for the villain, who is often more interesting than the hero. Mohan Raja’s Thani Oruvan (with Jayam Ravi and Arvind Swami) is a perfect hero vehicle: an earnest IPS officer decides to single-handedly take on a corrupt and shadowy criminal using practically just the strength of his mind. Amrish Puri reprises Gemini Ganesan’s role from the original as the principled but not quite savvy Durgaprasad Bharadwaj. Doubtfire, and written by Crazy Mohan, had Kamal Haasan’s Jai Prakash similarly transform himself into an elderly woman in order to be closer to his child and estranged wife. The comedy inspired by Robin Williams’ Mrs. KS Ravikumar’s Avvai Shanmugi was remade in Hindi as Chachi 420 by Kamal Haasan. * Sooyavansham is streaming on Amazon Prime Video 6.
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Like the original Tamil, the Hindi version continues to retain loyal fans through numerous television retelecasts. The feel-good drama directed by Vikraman was remade in Hindi by EVV Satyanarayana with Amitabh Bachchan (playing the two central characters) and Soundarya. Sarathkumar plays Sakthivel Gounder and his son, Chinnarasu. Suryavamsam starring Sarathkumar, a hero with an action image, is a simple drama about an uneducated simpleton who rises against family and social opposition. The result is a film that was one of 2017’s highest grossers and a perfect comeback vehicle for Chiranjeevi after a stint with politics. 150 and VV Vinayak tweaks it to suit his image. Megastar Chiranjeevi superbly inhabits his larger-than-life character in Khaidi No.
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Kathiresan or Kaththi is a stand-in for the audience who discovers the truth about our groundwater with him. Kathiresan (Vijay), a petty criminal, becomes an unwitting stand-in for Jeevanandham (also played by Vijay), a social worker. We look at recent remakes of Tamil films into other languages and rank them, from those that merely imitate the original competently to those that are interesting variations in their own right:ĪR Murugadoss is at the heights of his powers as a social commentator in Kaththi when he takes on corporations that manufacture beverages by exploiting ground water resources. On the other hand, the Hindi version of Ghajini is arguably an improvement over the original and was also a box office success (both directed by AR Murugadoss ). For example, the superb Mudhalvan becomes the merely serviceable Nayak in the hands of the same director, Shankar. 150 reinterprets Kaththi for Chiranjeevi’s specific kind of stardom.īut Remakes don’t always succeed in the target language. For example, Narappa chooses to follow Asuran very closely while Khaidi No. But this phenomenon of remaking Tamil films into other languages is not new and you could find notable remakes from even the 1950s: Bhai-Bhai (1956) remade from CV Sridhar’s Ratha Paasam and Devta (1956) from Kanavane Kankanda Deivam. From Vikram Vedha to Soorarai Pottru, a slew of Hindi remakes of South films have been announced this year.